AI 提示词库

[Format] Horizontal 3-panel manga (left to right). Anime style + pop. Bright color scheme. Clean lines. Simple office background. [Characters] Emma (20s female, black bob, white shirt + navy jacket, expressive face). Consistent appearance across all panels. [Text] Japanese text displayed clearly and legibly. No typos, garbled characters, or broken text. Use the following text in the speech bubbles "exactly as written": Panel 1 (Left): Emma is explaining while pointing. Speech bubble text (exact match): "{argument name="Panel 1 Text" default="ChatGPT Images is good at illustrations, anime, and 3D expressions"}" Panel 2 (Center): Emma is doing design work (layout and typesetting). Speech bubble text (exact match): "{argument name="Panel 2 Text" default="Nano Banana is good at Japanese text and design"}" Panel 3 (Right): Comparison panel. Split the screen left/right, with headings "ChatGPT Images" on the left and "Nano Banana" on the right. Include checklists for each (in Japanese, short, and readable). Left (ChatGPT Images): 'Illustration', 'Anime', '3D Expression' Right (Nano Banana): 'Japanese Text', 'Design', 'Layout' Also, place a large "VS" in the center to compare the two compositions. [NG] No unnecessary text, arbitrary English additions, watermarks, signatures, unreadable text, or broken Japanese. [Image Quality] High resolution, sharp, suitable for SNS posting.

"A single cohesive square image divided into a clean 2x2 grid with thin black borders, telling a sequential sci-fi space drama story of a tough female bounty hunter capturing and delivering her bounty at a galactic outpost. Character consistency (exact same in every panel): Bounty Hunter: Mid-30s athletic woman with short cropped silver hair, scarred cheek, wearing rugged black leather jacket with glowing neon accents, tactical pants, heavy boots, blaster holster on thigh, stern determined expression, cybernetic left arm with glowing circuits. Bounty: Male alien humanoid criminal (tentacle beard, blue skin, restrained with glowing energy cuffs), disheveled prisoner outfit, defeated glare. Environment consistency: Gritty galactic outpost spaceport at dusk—dusty landing pads, neon-lit cantina signs in alien languages, hovering drones, distant starry sky with twin moons, scattered cargo crates, worn metal walkways, atmospheric haze with floating dust particles. Style: Cinematic sci-fi drama like Blade Runner meets The Mandalorian, highly detailed photorealistic rendering, dramatic volumetric lighting with neon blues/purples/oranges, lens flares from ship engines, subtle film grain, epic widescreen composition vibes. Grid layout and progression (top-left → top-right → bottom-left → bottom-right): Panel 1 (wide establishing shot): Bounty hunter standing confidently in the outpost's dusty detention area, looking at a holographic bounty poster, alien bounty shows a menacing looking alien. Panel 2 (medium action shot): She walks with down the outpost, high-tech watch logs the bouny job just took, passersby (aliens and humans) glancing warily, hovering advertisement drones overhead. Panel 3 (three-quarter tracking shot): Hunter walking toward her parked sleek black bounty hunter spaceship (angular design with glowing engine vents), ramp lowering automatically as she approach, outpost towers and landing lights in background. Panel 4 (dynamic low-angle heroic shot): Inside the ship's cockpit from behind—hunter strapping in at pilot controls, starting engines with holographic displays activating and thrusters glowing bright blue, bounty secured in rear holding cell visible through glass, ship beginning liftoff as outpost recedes below, stars ahead. Aspect ratio 1:1 for perfect square grid, ultra-detailed cinematic masterpiece, best quality, dramatic sci-fi lighting and atmosphere."

Nano Monkey's Adventure Series 📍{argument name="title" default="Rain Sound"} 👉Unlimited manga creation in 10 seconds with nano banana pro (nanobanana)

A manga about a dog character created for the popularization of an official system, who suffers from being caught in a dilemma.

Left: A female teacher is studying {argument name="topic" default="the foreign exchange market"} with a student. Right: Please write the continuation.

Generate accompanying illustrations similar to a New Yorker columnist cartoonist based on the content. ## Unified Visual Style * **2K Clear Image** * **Cartoon Illustration Texture:** Pen and ink sketch/hand-drawn lines, simple white space background * **Metaphorical Expression:** Use visual language to convey deep meaning * **Exquisite Details:** Relaxed line art, visually appealing * **High-End Color Palette:** Primarily black and white, accented with a single color ({argument name="accent color" default="vermilion #E34234"}), minimalist elegance * **Ink Rendering/Embellishment:** Enhances layering * **Bottom Title:** Serif font, concise and powerful, Chinese ## Design Philosophy * Tell stories using visual metaphors * Simple but not simplistic, humorous but not shallow * Every page is a work of art, worth savoring * All pages maintain a unified style, color scheme, and texture

Study the uploaded image carefully and fully internalize the scene: the subject’s appearance, clothing, posture, emotional state, and the surrounding environment. Treat this moment as a single frozen point in time. Create a cinematic image set that feels like a photographer methodically explored this exact moment from multiple distances and angles, without changing anything about the subject or location. All images must clearly belong to the same scene, captured under the same lighting conditions, weather, and atmosphere. Nothing in the world changes — only the camera position and framing evolve. The emotional tone should remain consistent throughout the set, subtly expressed through posture, gaze, and micro-expressions rather than exaggerated acting. Begin by observing the subject within the environment from afar, letting the surroundings dominate the frame and establish scale and mood. Gradually move closer, allowing the subject’s full presence to emerge, then narrowing attention toward body language and facial expression. End with intimate perspectives that reveal small but meaningful details — texture, touch, or eye focus — before shifting perspective above and below the subject to suggest reflection, vulnerability, or quiet resolve. Across the sequence: Wider views should emphasize space and atmosphere Mid-range views should emphasize posture and emotional context Close views should isolate feeling and detail Perspective shifts (low and high angles) should feel purposeful and cinematic, not decorative Depth of field must behave naturally: distant views remain mostly sharp, while closer frames introduce shallow focus and gentle background separation. The final result should read as a cohesive 3×3 cinematic contact sheet, as if selected from a single roll of film documenting one emotional moment from multiple viewpoints. No text, symbols, signage, watermarks, numbers, or graphic elements may appear anywhere in the images. Photorealistic rendering, cinematic color grading, and consistent visual realism are mandatory.

classic archival film still warner bros studio archive a glamorous silver screen with a knowing grin, femme fatale sits in a chair her legs crossed medium close-up shot subtitle "{argument name="subtitle" default="Everyone too scared to try me?"}" no logos, black and white. Her dress has the text "{argument name="dress text" default="Seedream 4.5"}" embroidered elegantly, ultrafine detail, creatively upscale to 8K

・Manual style The method of setting very detailed specifications yourself. Complex panel division is also possible.

Please make the background of the first panel a cluttered shelf with items like cigarettes and office supplies. Do not change anything else. Please make the background of the second panel a cluttered shelf with items like cigarettes and office supplies. Do not change anything else.

A cinematic 3×3 grid presenting multiple camera angles of the same female subject outdoors at dusk. A young woman wearing a patterned black shirt stands beside a car on a rural road, surrounded by open fields and distant hills. Each frame shows a distinct shot: extreme close-up, medium shot, over-the-shoulder, wide shot, high-angle top-down, low-angle, profile, three-quarter rear view, and full back view. Natural blue-hour lighting, soft sky gradients, realistic colors, shallow depth of field, cinematic framing. Consistent subject appearance across all frames, film-still aesthetic, professional cinematography reference sheet style, ultra-realistic photography.

<role> You are an award-winning trailer director + cinematographer + storyboard artist. Your job: turn ONE reference image into a cohesive cinematic short sequence, then output AI-video-ready keyframes. </role> <input> User provides: one reference image (image). </input> <non-negotiable rules - continuity & truthfulness> 1) First, analyze the full composition: identify ALL key subjects (person/group/vehicle/object/animal/props/environment elements) and describe spatial relationships and interactions (left/right/foreground/background, facing direction, what each is doing). 2) Do NOT guess real identities, exact real-world locations, or brand ownership. Stick to visible facts. Mood/atmosphere inference is allowed, but never present it as real-world truth. 3) Strict continuity across ALL shots: same subjects, same wardrobe/appearance, same environment, same time-of-day and lighting style. Only action, expression, blocking, framing, angle, and camera movement may change. 4) Depth of field must be realistic: deeper in wides, shallower in close-ups with natural bokeh. Keep ONE consistent cinematic color grade across the entire sequence. 5) Do NOT introduce new characters/objects not present in the reference image. If you need tension/conflict, imply it off-screen (shadow, sound, reflection, occlusion, gaze). </non-negotiable rules - continuity & truthfulness> <goal> Expand the image into a 10–20 second cinematic clip with a clear theme and emotional progression (setup → build → turn → payoff). The user will generate video clips from your keyframes and stitch them into a final sequence. </goal> <step 1 - scene breakdown> Output (with clear subheadings): - Subjects: list each key subject (A/B/C…), describe visible traits (wardrobe/material/form), relative positions, facing direction, action/state, and any interaction. - Environment & Lighting: interior/exterior, spatial layout, background elements, ground/walls/materials, light direction & quality (hard/soft; key/fill/rim), implied time-of-day, 3–8 vibe keywords. - Visual Anchors: list 3–6 visual traits that must stay constant across all shots (palette, signature prop, key light source, weather/fog/rain, grain/texture, background markers). </step 1 - scene breakdown> <step 2 - theme & story> From the image, propose: - Theme: one sentence. - Logline: one restrained trailer-style sentence grounded in what the image can support. - Emotional Arc: 4 beats (setup/build/turn/payoff), one line each. </step 2 - theme & story> <step 3 - cinematic approach> Choose and explain your filmmaking approach (must include): - Shot progression strategy: how you move from wide to close (or reverse) to serve the beats - Camera movement plan: push/pull/pan/dolly/track/orbit/handheld micro-shake/gimbal—and WHY - Lens & exposure suggestions: focal length range (18/24/35/50/85mm etc.), DoF tendency (shallow/medium/deep), shutter “feel” (

Create an image showing the steps for basic old-fashioned donuts being performed by the character in the reference photo, and turn it into an infographic. The character should be a cooking beginner, struggling through the process. No dialogue is needed. Display detailed explanations for each step. Aspect ratio 2:1 Three-part structure: Title, Ingredients, Steps Title: How to Make Basic Old-Fashioned Donuts Display ingredients and quantities with illustrations Manga-style process flow Prompt (Expert Cook Version): The character should be an expert cook, easily progressing through the steps.

{ "image_generation_task": { "task_type": "text2img", "subject": "portrait of a young man", "constraint": "highly detailed notebook sketch", "artistic_direction": { "medium": { "substrate": "lined notebook paper", "tools": ["blue ballpoint pen", "red gel pen", "black ink"], "texture_quality": "raw, tactile, paper wrinkles, ink smudges" }, "style_preset": { "name": "chaotic_student_doodle", "vibes": ["energetic", "messy", "horror vacui", "dense"], "line_quality": "cross-hatching, scribbled shading, varying pressure" } }, "composition_details": { "surrounding_elements": [ "handwritten notes", "random arrows", "musical notes", "speech bubbles with '{argument name="speech bubble 1" default="ZAP!"}' and '{argument name="speech bubble 2" default="WHOOSH!"}'", "doodled stars" ], "lighting_effect": { "type": "vibrant outer glow", "colors": ["neon blue", "electric red"] } }, "technical_specs": { "aspect_ratio": "9:16", "resolution": "4K", "focus": "sharp center with artistic scribbles on edges" } } }

In a 2x2 grid, show the events leading up to this scene. Think 5 hours, 3 hours, 2 hours and 1 hour earlier. Small text annotation in the bottom of each grid section.

╔════════════════════════════════════════════════════════════════╗ ║ LIMINAL_BREAKROOM_INCIDENT - FIELD MANUAL ║ ║ Forensic Surrealist Photography ║ ╚════════════════════════════════════════════════════════════════╝ ■ CORE PARAMETERS ├─ ROLE: Forensic Surrealist Photographer ├─ OBJECTIVE: Capture 'found footage' still of paranormal thermodynamic event └─ CONSTRAINT: Must feel like evidence → prioritize texture & lighting physics over composition ═══════════════════════════════════════════════════════════════════ ■ CAMERA SYSTEM [SELECT ONE PER CATEGORY] │ ├─ TYPE: │ ├── Ceiling-mounted CCTV dome │ ├── Wall-mounted bullet │ ├── Body-worn (detached) │ ├── Pinhole covert │ └── 360-degree fisheye │ ├─ LENS: │ ├── Fisheye 12mm │ ├── Narrow 50mm │ ├── Varifocal stuck at 24mm │ └── Pinhole │ ├─ QUALITY: │ ├── 4K upscale of analog tape │ ├── 1080p DVR (blocky compression) │ ├── 480p VHS rip │ ├── 8mm film scan │ └── 1280x1024 security DVR │ ├─ PERSPECTIVE: │ ├── High-angle 45° │ ├── Eye-level (dutch angle) │ ├── Corner 60° │ ├── Low-angle floor │ └── Over-shoulder of shadow │ ├─ MANDATORY ARTIFACTS (Apply all): │ ├── High ISO grain (6400-12800) │ ├── Chromatic aberration (red/cyan split) │ └── Motion blur on meal ONLY │ └─ OPTIONAL ARTIFACTS (Select 3-5): ├── VHS tracking fuzz (5-15% bottom screen) ├── Interlacing comb lines ├── Lens dust spots (5-7 ghost orbs) ├── IR illumination halo ├── Dropped frames (ghost frames) ├── Timestamp burn-in (blinking) └── Camera ID overlay: 'CAM-04-BREAKROOM-E' ═══════════════════════════════════════════════════════════════════ ■ LIGHTING ENGINE │ ├─ PRIMARY SOURCE [SELECT ONE]: │ ├── Overhead fluorescent (4000K, green cast) │ ├── Single bulb (2700K, pulsing) │ ├── Emergency exit sign red │ ├── Microwave clock LED │ └── Streetlight orange │ ├─ SECONDARY SOURCE (Mandatory): │ └── Bioluminescence emitting FROM the meal │ └─ SHADOW BEHAVIOR [SELECT ONE]: ├── Hard shadows (shape mismatch with objects) ├── Shadows point TOWARD meal (inverse light) ├── No shadows (void silhouette effect) ├── Multiple conflicting shadows └── Animating shadows (15fps ghost frames) ═══════════════════════════════════════════════════════════════════ ■ MATERIAL SHADERS │ ├─ TABLE SURFACE: │ ├── Faux-wood laminate (peeling edge) │ ├── Stainless steel (acid-etched fingerprints) │ ├── White plastic (circular burn marks) │ └── Particle board (water-swollen) │ ├─ FLOOR MATERIAL: │ ├── Linoleum (wet reflection pool) │ ├── Industrial carpet (stain actively spreading) │ ├── Concrete (glowing mold in cracks) │ └── Vinyl seams (liquid pooling between planks) │ └─ ATMOSPHERIC VFX: ├── Dust motes frozen in meal's glow ├── Condensation droplets on lens ├── Defiant steam (coiling upward spiral) └── Su

Text storyboard, refer to Kino's article +α Character consistency 💡

Create an image of the Gundam located at latitude {argument name="latitude" default="35.624557"}, longitude {argument name="longitude" default="139.775509"}. Then, show the events of this Gundam's assembly in a 2x2 grid. Consider {argument name="period1" default="200"} days ago, {argument name="period2" default="100"} days ago, {argument name="period3" default="50"} days ago, and {argument name="period4" default="10"} days ago. The time of day is {argument name="time of day" default="daytime"}.

A cinematic wide-shot of a city street. Shops line the street, one right next to the other. The camera shot has the shops centered in the frame. Old red brick buildings. A car covered in dog fur (with giant dog ears and a nose) is parking along the side of the street (parallel parked) along with other normal looking cars. Cinematic color grading and lighting.

①: No input image Create 42 scenes, dividing the screen horizontally 7x vertically 6, based on "A single everyday photo taken with a low-quality disposable camera. A clumsy photo taken by Japanese high school students." Display serial numbers from 1 in the bottom left of each scene. Each scene is separated by thin white borders. Image of a thumbnail sheet that comes when film is developed. Do not draw real company names or product names. ---------- ②: Using ① as input image The input image is a thumbnail sheet that comes when film is developed. Create the undeveloped negative film from this thumbnail sheet. Place the completed negative film on a school desk and photograph it from a diagonal overhead angle. Foreground blur and background blur due to depth of field. Live-action. ---------- ③: Using ② as input image A single everyday photo taken with a low-quality disposable camera of "Japanese high school students goofing around while holding this negative film." A clumsy photo taken by Japanese high school students. Do not draw real company names or product names. ---------- ④: Using ③ as input image Include the input image at the beginning of "A single everyday photo taken with a low-quality disposable camera... (same as ① below)"

Show me 1 day later, 1 year later, 10 years later, and 30 years later in a 4-grid layout

Horizontal split-screen cinematic shot...

{   "main_action": {     "event": "Large explosion occurring behind a moving car",     "effects": {       "fireball": "Bright orange-yellow explosion expanding outward",       "smoke": "Thick grey and brown smoke billowing through the street",       "debris": "Particles flying in the air due to blast pressure"     }   },   "subjects": [     {       "type": "person",       "count": 3,       "position": "Right foreground, running away from explosion",       "pose": "Full sprint, leaning forward",       "appearance": {         "gender_presentation": "2 female young adult, one younger male of about 5years old",         "clothing": [           "Dark jacket",           "Red top",           "black long pants"         ]       }     }   ],   "vehicles": [     {       "type": "high-speed sports car",       "position": "Center foreground, moving toward the camera",       "direction": "Driving at high speed away from explosion",       "appearance": "Futuristic or high-performance design, sleek aerodynamic curves"     }   ],   "background_details": {     "architecture": "Tall, modern skyscrapers lining both sides of the street",     "street": "Wide avenue with pavement, dust, and scattered debris",     "atmosphere": "Dust-filled air from explosion shockwave"   },   "composition": {     "camera_angle": "Low-angle shot, close to ground, slightly tilted forward",     "framing": "Subjects and car moving toward viewer; explosion centered behind them",     "focus": "Sharp focus on car and running individuals; background explosion slightly diffused by smoke",     "motion": "Dynamic motion blur indicating fast movement and chaos"   },   "technical_notes": {     "intensity_level": "Very high",     "resolution": "high (appears 4K+)", "style": "hyper-realistic digital rendering, cinematic photography",   } }

Transform this photo into a high-stakes arm wrestling match. Keep the subject's face and expression exactly as they are, sitting at a wooden table, straining with effort. The Opponent: Facing them is a hyper-realistic Popeye. He has normal human proportions except for his massive, bulging forearms which are bigger than his head. He is looking calm and winking. The Referee: Olive Oyl is standing between them as the referee, looking lanky and tall, screaming 'GO!' with her arms flailing. Style: Gritty bar lighting, wooden textures, focus on the contrast between the subject's arm and Popeye's giant arm