AI Prompt Library

Use the character sheet as the visual reference. Preserve the bride’s exact face, hairstyle, dress, body proportions, and accessories throughout the entire video. 16:9 landscape. 0–3 sec — THE ESCAPE A church wedding is happening when the bride suddenly bursts through the giant church doors and sprints down the steps, still holding her bouquet. Her expression is determined but hilariously excited. Her veil and dress fly wildly behind her. Camera rapidly tracks backward in front of her as she runs. A few confused wedding guests appear in the background, realizing what is happening. 3–5 sec — GET TO THE CAR She spots a bright red 1950s vintage car waiting at the curb. She kicks off one white bridal heel while running, then throws herself toward the driver's door. Fast whip-pan follows her movement. 5–8 sec — PEEL OUT She jumps into the car, slams the door, starts the engine and PEELS AWAY at ridiculous speed. Tires squeal, a tiny cloud of smoke appears, and her long white veil gets caught in the closing door and streams dramatically behind the car. The bouquet lands on the passenger seat. 8–11 sec — CHAOS Rapid comedic interior cuts: Bride gripping the steering wheel and laughing → her veil whipping around her face → bouquet bouncing around the passenger seat → her other bridal heel flying through the air → wedding guests running helplessly behind the disappearing car. 11–15 sec — SHE’S FREE Dynamic side tracking shot of the red car racing down a sunny vintage highway. The bride drives one-handed, completely carefree. She looks into the rearview mirror, sees the church disappearing in the distance, grins, then blows a huge pink bubblegum bubble. Final frame: The red car speeds toward the horizon, veil flying behind it. Style: fast-paced physical comedy, playful rebellious energy, 1950s Americana, saturated red vintage car, creamy white wedding dress, warm golden sunlight, cinematic vintage film grain, slightly painterly realism, realistic motion, energetic camera movement, whip pans, quick cuts, exaggerated but believable comedy. Important: No slow motion, no sad mood, no dramatic romance, no dialogue, no text, no extra brides, no face changes, no outfit changes, no distorted hands, no morphing.

Maintain the facial features, hairstyle, blue and white floral slip dress, body proportions, balcony, table items, and seascape environment consistent with the reference image. Do not change the face or clothing. A 10-second realistic travel snapshot video, as if casually filmed by a friend on a hotel balcony. At the start, a young Asian woman sits naturally on the balcony sofa, looking sideways quietly at the distant sea and sunset. The sea breeze gently blows her long hair and skirt hem. She blinks naturally, and her body has slight breathing movements. Around the 3rd second, a sudden stronger sea breeze comes from the side, blowing up a thin napkin on the table, sliding it along the table towards the balcony edge. The girl is momentarily stunned, looks down, sees it, and instinctively reaches out quickly to grab it. Around the 5th second, she almost misses catching it, leaning forward slightly, with her hair also blown messy by the wind. Finally, she successfully grabs the napkin, smiles down first, then leans back into the sofa with a hint of helpless expression. For the last 2 seconds, she presses the napkin on the table, uses one hand to smooth her wind-blown hair, then looks up at the distant sunset again, still smiling lightly at the corners of her mouth. Keep the entire sequence with a realistic handheld phone camera feel. Slight handheld shake, no orbiting, no fast zooms, only allow very slow and natural forward push-in. Sea sparkle, distant sailboats, curtains, and hair strands maintain natural movement. Emphasize realistic human motion and gravity inertia. Facial stability throughout, normal fingers, stable skirt structure, no deformation of the table or drinks. Avoid: Character suddenly standing up, exaggerated laughing, napkin flying too high, large body distortions, face drifting, face swapping, finger deformities, clothing changes, sudden disappearance of table items, strong cinematic camera moves.

TITLE The Lost Wind Chime REFERENCE Use the uploaded storyboard board and character sheet as the main visual reference. Keep all character designs, environment details, wind chime design, kitten appearance, countryside lighting, and emotional story beats consistent with the provided references.

Horse with boxing gloves, punching a donkey that is going to do back kicks, they are professional fighters

These pictures are two characters meta muse and grok bot. Make a video where they fight to the death and grok bot wins.

Eric Cartman punches the alien off the chair, Eric cartman hops in, Eric Cartman turns the spaceship upside down and shakes it (kyle butters and co reaction) (Censored language)

Extend make them say Sean add Rihanna with curly hair in the same outfit but latex

Starship catch on a barge. I designed this and ran it through Grok for more refined version. It's a concept for a barge catch of the SpaceX Starship.

Please create a parody silent movie about a controversial topic demonstrating behaviors in humans that confuse AI. The audio is only old-timey music like they used to have in the old days. At the conclusion, display a half-second word identifying the trait.

Please create another parody silent movie about {argument name="character" default="Elon Musk"}, using any topic demonstrating behaviors in humans that confuse Artificial Intelligence models. The audio is only old-timey music like they used to have in the old days.

Please create a parody silent movie starring Elon Musk, using any topic demonstrating behaviors in humans that confuse Artificial Intelligence models. The audio is only old-timey music like they used to have in the old days.

They immediately developed self-cleaning optics for all of their systems and they start to have a massive car wash in an infinite-dimensional Klein bottle

Earth rise behind moon, golden dappling light with subtle 35mm grain https://t.co/wkqis6MT5k

Vivid, bright-colored soap bubbles floating in a colorful meadow filled with vibrant flowers

15 seconds, 9:16 vertical screen, photorealistic mobile phone travel vlog, entirely self-shot by an adult female protagonist using the front camera. The protagonist's identity refers to #1 @0ba07db1-974c-467d-80dc-d9dffddac0ba, clothing, shoes, socks, and accessories strictly refer to #2 @c6a3d787-bf2f-4ae9-a647-8da9db2702e3, do not replace the protagonist with characters from scene images. Scene references include the sea of clouds mechanical colossus in #3 @cf1b1405-e241-46d5-818c-7838463fe334 and the cave giant in #4 @7953261f-23e7-4c97-b6a0-14bcf07aabe4. Use explicit travel jump cuts between the two locations to indicate that the journey in between has been omitted, rather than showing a single step crossing space. She always holds the phone in her right hand, while her left hand is used to steady herself on rocks or maintain balance. The phone is about one arm's length from her face; in the wide-angle selfie, her face is positioned on one side of the frame, with the environment unfolding behind her shoulder. The character and environment share natural light, shadows, dust, and wind, preserving realistic skin texture. Only include shaking consistent with foot and wrist movements, brief exposure adjustments, and motion blur. No beauty filters, no background music, no subtitles. [0-4 seconds] On a broad rock platform above the sea of clouds, the female protagonist slowly walks along the inner side away from the cliff edge. She turns her body sideways so that two golden mechanical colossi embedded in the mountain appear behind her shoulder: huge breastplates occupy the background, legs disappearing into the clouds, with distant travelers appearing extremely small. Sunset illuminates one side of her cheek, wind ruffles her hair tips. She first looks up, then at the lens, whispering with suppressed awe: "This scenic spot, the security guards are taller than mountains." [4-7 seconds] She stops to continue looking up. The orange glow on one colossus's chest slowly intensifies, its head rotates slightly; moments later, low-frequency mechanical sounds reach the platform. She listens first, then confirms visually, her smile gradually fading. Her left hand instinctively steadies the nearby rock wall, pulling the phone slightly closer. She stops speaking, only taking a short breath. Background travelers stop individually to observe, without turning heads uniformly. [7-11 seconds] Explicit hard cut, omitting transition journey: She has arrived at the gravel path outside the cave referenced in #4. Light changes to gray-white daylight reflected from the cave entrance, with sheep, wooden fences, and scattered baskets behind her. She was walking along the path when a panicked ancient soldier runs past her left side, followed by two more rushing around the gravel. She steps aside first, watching them suspiciously; then heavy footsteps sound, small stones on the ground tremble. She turns back to look at the cave entrance, rotating her body to reveal the giant's face between the rock walls behind her shoulder. She whispers: "Wait... they're not here to queue." [11-15 seconds] The giant squeezes toward the cave entrance, shoulders brushing off falling rocks, dust obscuring part of the wooden fence. The protagonist immediately stops speaking. She first checks the escape route ahead, then follows the fleeing crowd quickly leaving along the path, bringing the phone close with her right hand, raising her left arm to protect her forehead. The selfie footage shakes with her footsteps, the giant only briefly appears behind her shoulder, not seeking full-body composition. In the last two seconds, she moves sideways into a recess on the right rock wall, bending her knees to lower her body, supporting herself on the rock surface with her left hand. Ending shot: She leans against the rock wall, right hand holding the phone slightly upward at chest level, thin dust on her face, lips slightly parted, breathing heavily; the left edge of the frame still shows dust drifting from the cave direction. Sound: High-altitude wind, low-frequency mechanical sounds; after the jump cut, replaced by sheep bleating, running footsteps, rolling gravel, giant's breathing, and her close-range panting. Only the protagonist speaks clear lines, background figures' shouts are indistinct. Prohibit third-person tracking shots, aerial shots, floating phones, continuous direct gaze while running, sudden outfit changes, smiling explanations ignoring danger. The giant does not teleport in front of her.

Remove the hands out of the scene. Make the water into a busy highway with different teslas riding on it. Put the earth up closer to the sky. With a lot of stars in it and the moon....

Better yet land a raptor booster rocket on Harvard university with a Grock 4.... Learn about anything anywhere

Photorealistic video of Sam Elliott bench pressing 400 pounds at the gym. He stands up and tips his cowboy hat to the camera and smiles. No talking. Add western music. @MustacheElliott You’re my first celebrity follower so I’ll make cool Grok videos of you for a while 🥰

Created a 15-second cinematic fantasy battle scene in a ruined ancient city at sunset, with dramatic golden skies, burning buildings, smoke, and destroyed stone structures. A powerful blue-clad female warrior with dark hair faces a fierce female fire warrior with pale pink hair and small red horns. The blue warrior controls massive waves of glowing water while the fire warrior creates intense orange flames around her hands and body. Show them charging toward each other with fast, dynamic combat movements, magical energy trails, flying sparks, smoke, and debris. Build the action from a close-up confrontation into a wide cinematic shot of both elemental powers colliding in the center of the battlefield. End with an enormous blue water wave crashing against a giant fire explosion, creating steam, glowing particles, and a spectacular energy shockwave. Use realistic cinematic lighting, detailed characters, smooth camera movement, epic fantasy atmosphere, high-quality VFX, dramatic depth of field, and a powerful movie-trailer style ending.

Create a cinematic, ultra-realistic luxury watchmaking commercial. Show a skilled watchmaker in a dark premium workshop carefully assembling an intricate mechanical gold watch. Start with close-ups of tiny gears, screws and moving mechanisms, then show his hands precisely placing the delicate components with professional tools. Slowly reveal the complete watch being polished and placed on his wrist. End with an extreme macro shot of the finished watch and its moving mechanical gears. Dark elegant lighting, realistic metal reflections, shallow depth of field, smooth camera movement, detailed craftsmanship, premium luxury advertisement aesthetic, photorealistic 3D animation. No text, logos or watermark.

Generate a 6-second, 9:16 vertical, 4K ultra-realistic live-action ancient-style portrait video. The main subject is a clearly adult East Asian female wearing gorgeous, clear, light Tang Dynasty style ancient costume, standing in front of night flower trees. The character has a natural soft oval face, small smooth jawline, exquisite features but maintaining realistic proportions, no influencer template face, no Western bone structure. Black dense long hair is styled into a high complex Tang-style bun, full and layered, adorned on top and sides with: Light pink floral hairpins Light blue floral ornaments Emerald green leaves Bead strings Pearl tassels Metal hairpins Long dangling earrings Both sides retain long straight black hair naturally falling to the chest. There are some soft stray hairs on the forehead. Exquisite but clear makeup: Peach pink eyeshadow Natural black eyeliner Distinct eyelashes Natural native eyebrows Light pink blush Moist coral pink lips Slight Huadian feel makeup Skin remains fair, clear, and soft, but not plastic-like, retaining slight pores, fine skin texture changes, and natural facial asymmetry. ⸻ Costume The character wears a very gorgeous light cyan-blue + mint green + pale pink + ivory white multi-layered Tang Dynasty style dress. The outer layer is semi-transparent thin gauze shawl and wide sleeves. Sleeves are wide and flowing. Cuffs, collars, and lapels have delicate: Floral embroidery Gold thread trim Light pink-blue plant patterns The chest area features a Tang-style high-waisted Ruqun structure. Large area of exquisite floral embroidery on the chest position. Waist uses a blue-green sash. The skirt body has obvious silk and gauze layering. Materials must show: Real silk reflection Light gauze semi-transparency Embroidery thread details Natural drape of sleeves Do not make it look like cheap photo studio Hanfu. ⸻ Scene Background is blooming flower trees in a night or dark environment. Many pale white, light pink, and light purple flowers distributed behind the character. Overall background is dark. Flowers form light-colored accents under soft lighting. Clear hierarchy between character and background. No Xianxia special effects. No massive particles. No moon. No palace large scenes. Focus is: Character close-up + dark flower tree background. ⸻ 0–1s | Frontal Gaze Opening character faces the camera directly. Body slightly sideways, but face almost directly facing the camera. Eyes looking directly at the lens. Mouth corners have a very slight, soft smile. Right hand naturally placed near the chest. Left hand hidden under wide sleeves or below the body. Entire person remains quiet and elegant. Camera uses medium close-up above chest. ⸻ 1–2s | Hand to Chin Character slowly raises one hand from chest. Wrist remains softly curved. Fingers naturally extended. Not stiff. Back of hand slightly towards camera. Hand moves slowly from chest past neck area to under chin. Forms classical lady-like elegant chin-resting action. Character's eyes still look at the lens. Smile slightly intensifies. ⸻ 2–3.2s | Hand Continues to Hair Bun Hand does not stay at chin too long. Continues slowly moving upwards along side of face. Passing through: Cheek Temple Ear side Finally raised near top hair bun. Index, middle, and ring fingers gently approach hair accessories. Movement is soft and restrained. Do not grab hair forcefully. More like lightly supporting hairpin or adjusting bun. Wide sleeves naturally hang down as arm rises. Thin gauze cuffs form beautiful layers. ⸻ 3.2–4.5s | Supporting Hair + Slight Turn Character keeps one hand lightly supporting hair bun. Simultaneously body and head begin small amplitude turning. Approximately: 5–10 degrees. Face changes from fully frontal to slight 3/4 angle. Eyes still looking at lens. Mouth corners maintain soft smile. Other hand naturally placed in front of body. Sleeves and shawl appear slight swaying. Pearl tassels on hairpin also produce very small natural swinging. ⸻ 4.5–6s | Side Face Smile Ending Character keeps hand near hair bun. Head tilts slightly more. Forms beautiful light 3/4 portrait angle. Eyes still looking at lens. Expression slightly softer than opening. Smile natural. No big toothy laugh. Wide sleeves maintain natural drape. Earrings, beads, and hair accessories sway slightly. Hold for about 0.5 seconds at end. ⸻ Camera and Movement Use: 70–85mm equivalent portrait lens Close-up above chest. Camera height slightly lower or level with character's eyes. Character always centered in frame. Video basically maintains fixed camera position. Only allow: very subtle push-in Approximately 3%-5% weak advancement. Also exists slight: cinematic breathing movement No panning. No fast zooms. No orbiting. No large lateral moves. ⸻ Lighting Adopt soft classical studio shoot + night flower tree background. Character face uses soft frontal-side light. Face overall very bright. Soft highlights on nose bridge, cheekbones, and lips. Hair edges can have slight rim light. Background remains dark. Flowers slightly lit up. Forming: Bright character + Dark background + Light colored flowers High-end contrast. Overall color suggestion: Light cyan-blue Mint green Pale pink Pearl white Deep black background

Sea of ink. When Ningning runs her brush, the peaks she touches turn into ice and snow. The Big Dipper is far away, and the Heavenly Palace is even further. A white wolf rises from within the ice and howls. The end of 'Mayfly World'. People are lost. One remains in the realm. Put down the brush, or stay with the wolf? The ink is still not dry. Only where the brush touches becomes ice. The Big Dipper is small. The wolf emerges from the peak, not the page. Put down the brush? Stay with the wolf and the realm?

Create a 9:16 38 second video of someone drinking tea from first person perspective, as the cyber truck drives them around FSD style the desert in Phoenix, Arizona.

Constructive criticism can be a good thing, but it only comes from people who genuinely care about what you are doing.