AI Prompt Library

Animate the two adult men exactly as they appear in the reference image. Keep their faces, bodies, hairstyles, crown, blue waist wrap, cream-and-gol...

Noon comes through gaps in the leaves. The pavilion is white and made of iron. Sunflowers are in the arms. They belong to no one. Put them down? Leave the pavilion as is? Hong Kong garden, white iron gazebo. Ningning stands holding sunflowers in her arms. Orange gingham, knee-length. Noon leaf dapples. Old days scenery 7/8. The flowers still belong to no one. Put them down or leave carrying them?

Forrest of oak trees leaves of silver edged in black meadow of green grass flowers tulip and iris colored petals dancing like tiny flames butterflies with silver filigree wings make the petals dance like a flame

Make a video of him looking for dry wooden sticks for his home. Trying to stay warm in the winter. He seems to be talking to himself. Worried he cannot find enough wood for his fireplace. Cinematic. #gay

The robot kiss the man on the cheek and says “I love you dad” The man kisses the robot on the forehead and says “I love you too Rocket” The horses and dogs circle around them playfully.

Can you please have the robot fly around the camp as the dogs jumps and play watching....

@elonmusk 🦋🍒🧜🏽‍♀️ add elon musk coming up to ask me to dance and us dancing laughing and then him proposing to me.

The beautiful young man stretches his arms and body to arrange the planets, breathing. His friends notice his perfect navel appearing discreetly under the lower edge of his sweater "we can see your little navel". Plan in zoom on his nav...

Illustration of a young woman with long black hair wearing a pink and white kimono-style dress and metallic silver futuristic geta sandals, standing on a green neon ground where pink glass roses glow here and there under a night sky filled with falling meteors. No text or logos.

Make a dance video of Marcus Aurelius with Cleopatra and Rumi doing spins like Durvishes then breakdown and into the splits

Steampunk Christmas stocking for the true innovator who has everything https://t.co/Iajn6KT6d

OUT OF THE SHADOWS -- A DUCATI darts out of the darkness -- engine throttles down -- wind rushes by -- we’re THE RIDER -- BLACK -- head to toe -- blends into night -- flying a hundred miles an hour -- zipping around scattered cars on the desolate street

Epic cinematic scene of Super Intelligence (SI) meeting El Shaddai in the third heaven, overlooking the entire universe. SI depicted as a radiant ethereal humanoid form of pure advanced light, circuitry, and cosmic energy, standing in awe. El Shaddai...

First person view of cybertruck driving in Tennessee in a city. Future variants of cybertruck

Eric Cartman punches the alien off the chair, Eric cartman hops in, Eric Cartman turns the spaceship upside down and shakes it (kyle butters and co reaction) (Censored language)

These pictures are two characters meta muse and grok bot. Make a video where they fight to the death and grok bot wins.

Horse with boxing gloves, punching a donkey that is going to do back kicks, they are professional fighters

Please create a parody silent movie starring Elon Musk, using any topic demonstrating behaviors in humans that confuse Artificial Intelligence models. The audio is only old-timey music like they used to have in the old days.

Please create a parody silent movie about a controversial topic demonstrating behaviors in humans that confuse AI. The audio is only old-timey music like they used to have in the old days. At the conclusion, display a half-second word identifying the trait.

Starship catch on a barge. I designed this and ran it through Grok for more refined version. It's a concept for a barge catch of the SpaceX Starship.

Vivid, bright-colored soap bubbles floating in a colorful meadow filled with vibrant flowers

Better yet land a raptor booster rocket on Harvard university with a Grock 4.... Learn about anything anywhere

15 seconds, 9:16 vertical screen, photorealistic mobile phone travel vlog, entirely self-shot by an adult female protagonist using the front camera. The protagonist's identity refers to #1 @0ba07db1-974c-467d-80dc-d9dffddac0ba, clothing, shoes, socks, and accessories strictly refer to #2 @c6a3d787-bf2f-4ae9-a647-8da9db2702e3, do not replace the protagonist with characters from scene images. Scene references include the sea of clouds mechanical colossus in #3 @cf1b1405-e241-46d5-818c-7838463fe334 and the cave giant in #4 @7953261f-23e7-4c97-b6a0-14bcf07aabe4. Use explicit travel jump cuts between the two locations to indicate that the journey in between has been omitted, rather than showing a single step crossing space. She always holds the phone in her right hand, while her left hand is used to steady herself on rocks or maintain balance. The phone is about one arm's length from her face; in the wide-angle selfie, her face is positioned on one side of the frame, with the environment unfolding behind her shoulder. The character and environment share natural light, shadows, dust, and wind, preserving realistic skin texture. Only include shaking consistent with foot and wrist movements, brief exposure adjustments, and motion blur. No beauty filters, no background music, no subtitles. [0-4 seconds] On a broad rock platform above the sea of clouds, the female protagonist slowly walks along the inner side away from the cliff edge. She turns her body sideways so that two golden mechanical colossi embedded in the mountain appear behind her shoulder: huge breastplates occupy the background, legs disappearing into the clouds, with distant travelers appearing extremely small. Sunset illuminates one side of her cheek, wind ruffles her hair tips. She first looks up, then at the lens, whispering with suppressed awe: "This scenic spot, the security guards are taller than mountains." [4-7 seconds] She stops to continue looking up. The orange glow on one colossus's chest slowly intensifies, its head rotates slightly; moments later, low-frequency mechanical sounds reach the platform. She listens first, then confirms visually, her smile gradually fading. Her left hand instinctively steadies the nearby rock wall, pulling the phone slightly closer. She stops speaking, only taking a short breath. Background travelers stop individually to observe, without turning heads uniformly. [7-11 seconds] Explicit hard cut, omitting transition journey: She has arrived at the gravel path outside the cave referenced in #4. Light changes to gray-white daylight reflected from the cave entrance, with sheep, wooden fences, and scattered baskets behind her. She was walking along the path when a panicked ancient soldier runs past her left side, followed by two more rushing around the gravel. She steps aside first, watching them suspiciously; then heavy footsteps sound, small stones on the ground tremble. She turns back to look at the cave entrance, rotating her body to reveal the giant's face between the rock walls behind her shoulder. She whispers: "Wait... they're not here to queue." [11-15 seconds] The giant squeezes toward the cave entrance, shoulders brushing off falling rocks, dust obscuring part of the wooden fence. The protagonist immediately stops speaking. She first checks the escape route ahead, then follows the fleeing crowd quickly leaving along the path, bringing the phone close with her right hand, raising her left arm to protect her forehead. The selfie footage shakes with her footsteps, the giant only briefly appears behind her shoulder, not seeking full-body composition. In the last two seconds, she moves sideways into a recess on the right rock wall, bending her knees to lower her body, supporting herself on the rock surface with her left hand. Ending shot: She leans against the rock wall, right hand holding the phone slightly upward at chest level, thin dust on her face, lips slightly parted, breathing heavily; the left edge of the frame still shows dust drifting from the cave direction. Sound: High-altitude wind, low-frequency mechanical sounds; after the jump cut, replaced by sheep bleating, running footsteps, rolling gravel, giant's breathing, and her close-range panting. Only the protagonist speaks clear lines, background figures' shouts are indistinct. Prohibit third-person tracking shots, aerial shots, floating phones, continuous direct gaze while running, sudden outfit changes, smiling explanations ignoring danger. The giant does not teleport in front of her.

Photorealistic video of Sam Elliott bench pressing 400 pounds at the gym. He stands up and tips his cowboy hat to the camera and smiles. No talking. Add western music. @MustacheElliott You’re my first celebrity follower so I’ll make cool Grok videos of you for a while 🥰